A literary analysis of the preface to lyrical ballads

Wordsworth early had misgivings and withdrew from authorship because he feared that he would botch the poem. Yet, he felt that there was much that was inadequate in the document. Wordsworth had been looking for a satisfactory psychology, and this was it.

They said that the mind was passive, and recorded sensations. The first is in the choice of subject matter, which is limited to experiences of common life in the country. The so-called proto-romantics transition poetsCowper, Gray, Blake, and Burns, among others, balked at merely copying classical subjects and forms once more.

His violent and neat literary opinions and his didactic prose and verse came to symbolize the retrenchment of reactionary forces and the kind of literary creation which amounted to a kind of "apology" for the old ways.

He became a member of the so-called Godwin circle in London. The two men complemented each other. Wordsworth believed that the city life made the masses dull and stagnant — it had reduced them to overworked machines who failed to appreciate the simple beauty of life.

Inspired by the ideals of the French Revolution — to shake up the foundations of old hierarchical structures — and distressed by the rise of the choking city life, the Romantic Wordsworth set out to challenge old notions regarding poetry.

A person, object, or situation must stimulate powerful emotions in the Romantic poet, and those observations must be noted.

Coleridge thought in terms of quick and brilliant generalizations and Wordsworth thought somewhat ploddingly and provided a valuable devotion to detail.

All in all, to conclude, it must be admitted that Wordsworth gives a new trend to English poetry by eliminating artificial diction from it.

The critics immediately pounced upon him, saying, in effect, he did not know poetry from agronomy, whereupon he reissued the poems and added his notorious Preface, which informed the critics though not in certain terms that it was they who were absolutely ignorant of the real nature of poetry.

In lateColeridge, Wordsworth, and his sister Dorothy planned a trip from Alfoxden, where they lived, to the Valley of Stones, near Lynmouth, in Devon.

Wordsworth says that nature obeys certain rules and poetic diction arbitrary and capricious, however, Walter Raleigh declares that Wordsworth hardly observes rules set by himself—but it is said that he writes well when he breaks his own rules.

WW justifies the use of meter.

Preface to Lyrical Ballads Summary

You may also like: The decision to be guided by these tenets amounted to the fanfare announcing the romantic revolt in English literature. Coleridge became less and less convinced of its power as an artistic tool and finally disclaimed it altogether, saying that he and Wordsworth might have subscribed to it in theory but fell far short of exploiting it in actuality.

Beauty was to be admired for its own sake.

That is, Wordsworth sees the function of poetry as ennobling the reader through the teaching of moral and philosophical values and ideals.

Wordsworth sets out to define this particular form of art. But the rules and fetters of neoclassicism still bound literature. Simple rural people are less restrained and artificial in their feelings and their utterance, and those feelings are at one with their environment.

He called this state of mental stagnancy as savage torpor.

Thematically, conditions in "high" society furnished many of the plots and characters, and humble life tended to be contemptuously ignored. Finally, the heroic couplet gave way to blank verse.

For Johnson, reason and common sense still prevailed over imagination and sentiment. His Preface to the Lyrical Ballads became the symbol and the instrument of romantic revolt.

The Prelude

Specifically, the lyrical ballads have the purposes of Who is a poet?Critical Analysis Of Preface To Lyrical Ballads Sumit Sharma. Lyrical Ballads is a joint publication by William Wordsworth and an equally accomplished poet Samuel Taylor Coleridge, which is cited as the most prominent reason responsible for the launch of Romantic Age in English Literature/5(4).

Preface to Lyrical Ballads Analysis William Wordsworth was an English romantic poet, who helped launch the romantic poetry era, along with his counterpart Samuel Coleridge.

In his “Preface to Romantic Ballads,” Wordsworth provides his audience of an understanding of his style of poetry. But the poetic doctrines elaborated in the Preface solidly underlay Lyrical Ballads and were the springboard to the expanded philosophy of art throughout The Prelude.

Previous Wordsworth's Literary. Lyrical Ballads is a joint publication by William Wordsworth and an equally accomplished poet Samuel Taylor Coleridge, which is cited as the most prominent reason responsible for the launch of Romantic Age in English Literature.

Preface to this text therefore is of utmost importance to me, being a /5(4). Lyrical Ballads is a collection of poems written by Samuel Coleridge and William Wordsworth, although you may hear some people refer to Lyrical Ballads simply as Wordsworth's because he.

Preface To Lyrical Ballads Summary

Preface to Lyrical Ballads: William Wordsworth () THE FIRST volume of these Poems has already been submitted to general perusal. It was published, as an experiment, which, I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort.

A literary analysis of the preface to lyrical ballads
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